Photographs are a quick, easy way to gather ideas from which to paint.
In order to capture as much information as possible here are a few things
to remember.
COMPOSITION
Consider the composition of your photograph. No matter what your
subject, try to see it as an arrangement of abstract shapes when you frame
it in the viewfinder. You probably wont have time to go through all the
elements and principals of design and apply them to the shot you’re
about to take, so keep these two simple rules in mind. Unless the center of
interest fills the frame, try to place it off center
Try to avoid placing strong horizontal or vertical lines in the middle
of your photograph. Horizon lines in particular should be placed around
the top or bottom third of the frame
EXPOSURE
On dull overcast days the white sky will cause most automatic cameras
to under expose your subject. If your camera allows it, switch to manual
and take the exposure reading from the subject. Some cameras can be set to
overexpose by half to one stop. On overcast days, if your camera has fixed
automatic exposure, try to fill the frame with the subject and include as
little sky as possible.
Without compensating for the bright sky the subject is left under
exposed.
FOCUS
On manual focus cameras, selecting a small aperture and turning the
focus back a little way from infinity will put everything from a couple of
meters to infinity in focus. Many lenses have a scale in front of the
aperture ring to accurately make this adjustment.
LIGHT
The best light to take photographs is either early morning or late afternoon. In the middle of the day the sun is overhead making everything
look flat.
LANDSCAPE FEATURES
If you like to work with landscapes, here are some ideas you might find
helpful when photographing landscapes:
Two distinct types of features can be found in landscape based
paintings
LINEAR FEATURES
Linear features guide the eye into, around, and out of the painting.
They also lead the eye to the center of interest. Any continuous unbroken
line or shape can be considered a linear feature. Roads, tracks, fences,
creeks, rivers, groups of buildings, trees, and animals are examples.
Horizon lines like edges of hills, clouds, and shadows are also examples.
SPOT FEATURES
Spot features act as punctuation marks throughout the painting. They
create the center of interest and are used to provide a balance for it.
Spot features can be used to stop the eye running out of the painting.
Buildings, trees, bushes, people, animals, and rocks are examples.